'Voila Voila' Serving Tray by Philippe Starck for Alessi
Designer: Philippe Starck
Maker: Alessi - Italy
Year: 1992
Size: W 450 x D 305 x H 40
Condition Report: Good vintage condition. Chrome surfaces do show scratching with use. Reach out for detailed images
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A striking example of playful yet functional design. Crafted from mirror-polished stainless steel, its elongated oval form is smooth and reflective, giving it a refined yet futuristic presence.
Four small, brightly coloured polyamide feet elevate the tray slightly off the surface, creating a sense of lightness and movement—almost as if it could scuttle away on its own.
The domed surface subtly curves upward, allowing objects to rest securely, while the absence of traditional handles keeps the silhouette clean and sculptural.
Designer: Philippe Starck
Maker: Alessi - Italy
Year: 1992
Size: W 450 x D 305 x H 40
Condition Report: Good vintage condition. Chrome surfaces do show scratching with use. Reach out for detailed images
.
A striking example of playful yet functional design. Crafted from mirror-polished stainless steel, its elongated oval form is smooth and reflective, giving it a refined yet futuristic presence.
Four small, brightly coloured polyamide feet elevate the tray slightly off the surface, creating a sense of lightness and movement—almost as if it could scuttle away on its own.
The domed surface subtly curves upward, allowing objects to rest securely, while the absence of traditional handles keeps the silhouette clean and sculptural.
Designer: Philippe Starck
Maker: Alessi - Italy
Year: 1992
Size: W 450 x D 305 x H 40
Condition Report: Good vintage condition. Chrome surfaces do show scratching with use. Reach out for detailed images
.
A striking example of playful yet functional design. Crafted from mirror-polished stainless steel, its elongated oval form is smooth and reflective, giving it a refined yet futuristic presence.
Four small, brightly coloured polyamide feet elevate the tray slightly off the surface, creating a sense of lightness and movement—almost as if it could scuttle away on its own.
The domed surface subtly curves upward, allowing objects to rest securely, while the absence of traditional handles keeps the silhouette clean and sculptural.
